From the POV of ex-pats from Warren Jeff's fundamentalist FLDS sect, this Netflix docuseries details Warren's rise to power and systemic abuse of parishioners. We created collages, title toolkits, and a few VFX shots for the series. We also provided the production team with a toolkit for archival movement and guided their ACES GFX workflow for an HDR finish.
From the POV of ex-pats from Warren Jeff's fundamentalist FLDS sect, this Netflix docuseries details Warren's rise to power and systemic abuse of parishioners. Following this exploratory, Union created several shots and designed a title toolkit for the show. These exploratory frames and animations were conversation starters early in the design exploratory phase of production. Not all of these ideas survived the editing room and made it into the show.
These frames below are from our first deck exploring different approaches to the Netflix Original film "Shawn Mendes: In Wonder." This treatment helped us figure out what everyone liked and hone in on the right creative for the job. Even though the final film ended up with a straightforward title design, several of these concepts made it very far along in the design process.
We designed and animated the main title sequence and map shots for the Netflix series "The Devil Next Door," a documentary series exploring the trial of John Demjanjuk; a Ukrainian immigrant in Ohio accused of being an infamous Treblinka death camp guard called "Ivan the Terrible."
Using mixed-media collage, this Netflix & Fusion TV series is an evolving deconstruction of archival media. We wanted to show that the investigation portrayed in the show was a meticulous process of combing through vintage archival materials (newspapers, FBI reports, letters, etc.)
The legacy of Malcolm X is well documented in a vast archive of surveillance by the authorities in his time. We explore using this archival to build a graphic language for the series. We are heavily leaning into actual FBI document scans to create collaged images and titles for the series.
Design & animation for the Netflix series Salt Fat Acid Heat. Created at Union Editorial for Jigsaw Productions with Junsik Na and edited by Nadine Mueller. The Main Title sequence was nominated for a 2019 Emmy.
Design and animation for Cooked on Netflix, created at Union Editorial for Jigsaw Productions with Jun Lee, Junsik Na, Garret Walter, Adam Stockett, and Kamaur Bonfield. Andrew Doga edited the title sequence.